from http://www.foxnews.com/story/0,2933,403443,00.html WASHINGTON — Famed chef Julia Child shared a secret with Supreme Court Justice Arthur Goldberg and Chicago White Sox catcher Moe Berg at a time when the Nazis threatened the world. They served in an international spy ring managed by the Office of Strategic Services, an early version of the CIA created in World War II by President Franklin Roosevelt. The secret comes out Thursday — all of the names and previously classified files identifying nearly 24,000 spies who formed the first centralized intelligence effort by the United States. The National Archives, which this week released a list of the names found in the records, will make available for the first time all 750,000 pages identifying the vast spy network of military and civilian operatives. They were soldiers, actors, historians, lawyers, athletes, professors, reporters. But for several years during World War II, they were known simply as the OSS. They studied military plans, created propaganda, infiltrated enemy ranks and stirred resistance among foreign troops. Among the more than 35,000 OSS personnel files are applications, commendations and handwritten notes identifying young recruits who, like Child, Goldberg and Berg, earned greater acclaim in other fields — Arthur Schlesinger Jr., a historian and special assistant to President Kennedy; Sterling Hayden, a film and television actor whose work included a role in "The Godfather"; and Thomas Braden, an author whose "Eight Is Enough" book inspired the 1970s television series. /**/ var adsonar_placementId="1307847",adsonar_pid="144757",adsonar_ps="-1",adsonar_zw=190;adsonar_zh=200,adsonar_jv="ads.adsonar.com"; qas_writeAd(); /**/ Other notables identified in the files include John Hemingway, son of author Ernest Hemingway; Quentin and Kermit Roosevelt, sons of President Theodore Roosevelt, and Miles Copeland, father of Stewart Copeland, drummer for the band The Police. The release of the OSS personnel files uncloaks one of the last secrets from the short-lived wartime intelligence agency, which for the most part later was folded into the CIA after President Truman disbanded it in 1945. "I think it's terrific," said Elizabeth McIntosh, 93, a former OSS agent now living in Woodbridge, Va. "They've finally, after all these years, they've gotten the names out. All of these people had been told never to mention they were with the OSS." The CIA had resisted releasing OSS records for decades. But former CIA Director William Casey, himself an OSS veteran, cleared the way for transfer of millions of OSS documents to the National Archives when he took over the agency in 1981. The personnel files are the latest to be made public. Information about OSS involvement was so guarded that relatives often couldn't confirm a family member's work with the group. Walter Mess, who handled covert OSS operations in Poland and North Africa, said he kept quiet for more than 50 years, only recently telling his wife of 62 years about his OSS activity. "I was told to keep my mouth shut," said Mess, now 93 and living in Falls Church, Va. The files will offer new information even for those most familiar with the agency. Charles Pinck, president of the OSS Society created by former OSS agents and their relatives, said the nearly 24,000 employees included in the archives far exceeds previous estimates of 13,000. The newly released documents will clarify these and other issues, said William Cunliffe, an archivist who has worked extensively with the OSS records at the National Archives. "We're saying the OSS was a lot bigger than they were saying," Cunliffe said.
Current mood:
jedi
I had a sudden craving to feed my dark side last night, and so I checked out some deathmetal bands on the myspace music sites. This style of music was something I did not have access to as a child, and so I loved it all the more. Now, as I'm older, I'm not as mesmerised by it, just because I realize that so much of it either sucks or sounds like every other band. So I went through and researched the music of a few bands (which means that I picked two songs at random on their playlist and listened to the first verse and chorus) and judged a sample of the music based on certain criteria: musicality, the images evoked, whether or not the band was feeding into their own darksides or if they were just trying to shock their audience, and whether or not the music had that element of sex and danger.
Obscurity (Sweden) - Guitar and Drums don't match beats or rhythm.
Necrophobic (Sweden) - The screamer growls the lyrics. Awesome.
Bathory (Sweden) - Very old school. Nice. The song "Blood Fire Death" starts out with a choral piece, throwback to the 11th century.
Anhaguama (Brazil) - Tries too hard to be industrial. Doesn't quite work. No melody, not much of a bass line.
Vital Remains (United States) - I hate their faces. Doucherock for the teenage shock junkie.
Naglfar (Sweden) - Sounds like a gothic torture chamber, much like deathmeatal should sound.
Morhbius (Brazil) - A bit too grindcore. Screamer makes gorilla noises I don't understand.
Graveworm (Italy) - Would have loved them two years ago if I hadn't heard the band "Eyes Set To Kill" first. I do, however, want the lead guitarist's sex in the worst way.
Dissection (Sweden) - I had to close my eyes to fully experience their song "God of Forbidden Light". Love them.
Acheron (United States) - They're the newbie style of band that only knows three chords, but, keeping that in mind, they kind of rock.
Obituary (United States) - I would shoot a very graphic death scene to their music, but only because they have a good sense of rhythm. Other than that, they don't really impress me.
Vile (United States) - Very tight, very climactic, very calculated music. Leaves me with a slightly chilled feeling.
Absu (United States) - I swear I heard a whip crack somewhere during "The Gold Torques of Ulaid".
Sadus (United States) - Slow but disturbing and awesome. This is probably what turning a Judas Priest album backwards should have sounded like, just to fuck with everyone.
Korgull The Exterminator (Spain) - Discordant and noisy, but not in a good way.
Igereth (Sweden) - Tight yet hardhitting. No screamer in the one song they offered on their site, just instruments, which kind of made me like it more.
Cryptopsy (Canada) - Good musically, but kind of had a doucherock edge I wasn't into at all.
Dol Guldur (Germany) - This made me imagine a large monster in a mad scientist's lair playing an organ. Didn't hate it at all.
Baalmoral (Germany) - Was not impressed. Trying too hard. One redeeming quality: I would have been able to understand the lyrics for once, you know, if I actually spoke German.
Mutilated Remains (Germany) - Deliberately tight. Very clean rhythms. Kind of disturbing in that respect.
Malign Prophecy (United States) - Doucherock. Doucherock Doucherock. Doucherock.
Black Flame (Italy) - Something wrong, but can't quite put my finger on it. Otherwise, a decent band.
pissed off
aroused
Recent Comments